Concert Review: Iris Dement, Olympia, Washington 10/20/07

Iris Dement is a folk/Americana singer who is probably best known for her song, "Our Town" which was the song played over the closing credits over the last episode of Northern Exposure or as a duet partner for such singers as John Prine. This is a copy of the review I sent to No Time to Cry, the Iris Dement internet discussion list of which I have been a member in some way or another for over 10 years:

Iris was in Olympia, WA October 20th for a fundraiser for both the Foundation for Self-Sufficiency in Central America (the same organization that brought her to Olympia two years ago) and for the Olympia Film Society. One thing I love about Iris - at the end of the show she asked concert-goers to contribute to these organizations whereas the opening act was hawking his CDs and art prints (perhaps he needed the $).

The show was to start at 8PM; we had conflicting reports of when we could pick up our tickets (all were will-call, no Ticketmaster for this show) and when the doors would open (7 or 7:30). We got in line at about 6:25, the box office opened at 6:30, the doors at 7. We went in the right side aisle and then saw the piano over to the left and I thought- aha - that is going to be the best place (special guests already had the first 4-5 rows center) so we found seats on the aisle in the 3rd row on the left side in this auditorium that seats around 600 (and amazingly wasn't sold out!)

There was a rather forgettable, and thankfully short, opening act. After a short intermission, Iris took the stage. I chose not to keep a set list during the evening and instead within half an hour after the show tried to write down the songs that were sung (I had my iPod to jog my memory). I can say she looked better and sounded better, was more self-assured than I have ever seen her.

Other than some strange leopard-print stockings, she was dressed lovely in a velvety skirt with jacket, very nice and even her hair looked very stylish and healthy. That said, it was clear she was still Iris with her sense of humor, her stating that it still felt strange for her to be sitting up on stage with us watching her. She said she likes it, but it's still strange. She said many nice things about her mother ("I may have tired her out,I'm afraid. She'll be 90 in February") in an introduction to Mama Told Her Truth.

Other than the first song and the encore, I have no idea what order the songs were sung - and forgive me for any omissions or errors as this was done by memory:

When My Morning Comes Around - started the show

New Songs:

Mama's Truth

River of Tears - Intro'd as a happy song

Anniversary Song (we have no title, others have called it This Love's Gonna Last, but she called it an anniversary song and since we are celebrating our anniversary on the 24th, I am calling it the Anniversary Song)

How I Learned Now to Pray (I loved this)

Goodbye Party (Great old Cindy Walker song)

That's the Way Love Goes (I had never heard her to this or the above song in concert before and particularly enjoyed this one)

****Another unfamiliar song - Applause was too loud when she announced who wrote/sang it originally

IRIS SONGS:

Mama's Opry

After You're Gone

He Reached Down

No Time to Cry

Let the Mystery Be

Easy's Getting Harder

The Way I Should

Encore:Sweet is the Melody --- and the piano broke - she mentioned earlier how nice it was to have a beautiful piano as it wasn't always the case. When this happened - and truly keys weren't playing - she said,"Looks aren't everything" She tried boldly to go on before switching to the guitar for:

Our Town

Her voice was strong, but as I believe others had mentioned, most of her songs had different arrangements than what we are familiar with on her CDs and previous concerts. I have no idea why that is, but after a bit, and being somewhat prepared, it really didn't make any difference. This was Iris and it was wonderful to be in the moment. She brought me to tears more than once. We had wonderful concert partners, a coworker of mine and his wife (he has been to about as many Iris concerts as I have so is a huge fan and agreed this was huge fan and agreed this was one of the best concerts she's ever done.

My conclusion is that it WAS the best Iris concert ever; if not the best concert I've ever been to. And this is despite the fact she didn't do my favorite, Walking Home. If you haven't seen Iris live, this is her best time. Even if you have, get out to see her again. She is magnificent.

A CD I'm Loving: Teddy Thompson

I love Linda Thompson, Teddy's mother and I love Teddy's parents Richard and Linda Thompson together (sadly, they're divorced and no longer perform together). After hearing Teddy on the Brokeback Mountain soundtrack, I fell in love with his voice as well. In his new CD, a collection mostly of cover songs by such Nashville (and Bakersfield) legends as George Jones, Ernest Tubb, Dolly Parton, and Merle Haggard Teddy Thompson excels. He has the perfect voice for these country classics. Who knew something like this would come from a singer from the UK? Last year another favorite of mine, the great Van Morrison did a CD of country classics and although very good, I think Teddy has eclipsed him. Of course it doesn't hurt that he employs the fabulous Iris Dement on one cut. Here's the blurb from Teddy's web site http://www.teddythompson.com/

Teddy Thompson's self-produced Up Front & Down Low offers distinctive readings of beloved country classics: George Jones' "She Thinks I Still Care," Ernest Tubb's "Walking the Floor Over You" and Merle Haggard's "(My Friends Are Gonna Be) Strangers." Equally impressive, however, are such lesser-known songs such as Boudleaux Bryant's regretful "Change of Heart," the yearning "Touching Home," Dolly Parton's bittersweet "My Blue Tears," the tongue-in-cheek Bob Luman hit "Let's Think About Living" and the Elvis Presley chestnut "I'm Left, You're Right, She's Gone." The album also features a lone Thompson original, "Down Low," whose heart-on-sleeve lyrics take on added resonance in this context.

"As strange as it may seem, country music was the music I was brought up on," says Teddy, whose parents are British folk-rock legends Richard and Linda Thompson. "It's the music that's closest to my heart and the music that speaks to me the most, and it's always been a big influence on my own songwriting. I was obsessed with country music when I was a kid, and it's definitely had a huge influence on the way I write songs. I was always attracted to songs that had a brilliant pun or a clever turn of phrase, but came from a dark, bitter place. As a writer, I've always gravitated towards that feeling." Throughout Up Front & Down Low, the songs are supported by artful, evocative arrangements that often diverge from the material's original country milieu. Six tracks feature distinctive string arrangements by legendary English arranger Robert Kirby, renowned for his groundbreaking work with Nick Drake, while "My Blue Tears" features strings arranged by frequent Thompson cohort Rufus Wainwright.

Up Front & Down Low's compelling blend of melancholy and uplift is consistent with Thompson's prior work. "It was liberating," he adds, "to be making a record of songs I didn't write. I was able to be a bit more detached, and I didn't stress over every little detail as much as I do with my own material. It was easier to concentrate on whether it was a good performance, and not worry so much about whether the snare sound was perfect.Indeed, Up Front & Down Low marks a temporary departure from the London-born, New York-based singer/guitarist's prior recorded work.

Whereas his first two albums Teddy Thompson and Separate Ways showcased his formidable songwriting skills, Up Front & Down Low focuses on Thompson's abilities as an interpreter of outside material. The collection finds him delivering personalized reworkings of a memorable assortment of songs drawn from America's rich country music tradition, all delivered with a level of commitment and musical imagination that consistently cuts to the emotional heart of the material.