1. The Road , Cormac McCarthy (2006)
2. Harry Potter and the Goblet of Fire, J.K. Rowling (2000)
3. Beloved, Toni Morrison (1987)
4. The Liars' Club, Mary Karr (1995)
5. American Pastoral, Philip Roth (1997)
6. Mystic River, Dennis Lehane (2001)
7. Maus, Art Spiegelman (1986/1991)
8. Selected Stories, Alice Munro (1996)
9. Cold Mountain, Charles Frazier (1997)
10. The Wind-Up Bird Chronicle, Haruki Murakami (1997)
11. Into Thin Air, Jon Krakauer (1997)
12. Blindness, José Saramago (1998)
13. Watchmen, Alan Moore and Dave Gibbons (1986-87)
14. Black Water, Joyce Carol Oates (1992)
15. A Heartbreaking Work of Staggering Genius, Dave Eggers (2000)
16. The Handmaid's Tale, Margaret Atwood (1986)
17. Love in the Time of Cholera, Gabriel García Márquez (1988)
18. Rabbit at Rest, John Updike (1990)
19. On Beauty, Zadie Smith (2005)
20. Bridget Jones's Diary, Helen Fielding (1998)
21. On Writing, Stephen King (2000)
22. The Brief Wondrous Life of Oscar Wao, Junot Díaz (2007)
23. The Ghost Road, Pat Barker (1996)
24. Lonesome Dove, Larry McMurtry (1985)
25. The Joy Luck Club, Amy Tan (1989)
26. Neuromancer, William Gibson (1984)
27. Possession, A.S. Byatt (1990)
28. Naked, David Sedaris (1997)
29. Bel Canto, Anne Patchett (2001)
30. Case Histories, Kate Atkinson (2004)
31. The Things They Carried, Tim O'Brien (1990)
32. Parting the Waters, Taylor Branch (1988)
33. The Year of Magical Thinking, Joan Didion (2005)
34. The Lovely Bones, Alice Sebold (2002)
35. The Line of Beauty, Alan Hollinghurst (2004)
36. Angela's Ashes, Frank McCourt (1996)
37. Persepolis, Marjane Satrapi (2003)
38. Birds of America, Lorrie Moore (1998)
39. Interpreter of Maladies, Jhumpa Lahiri (2000)
40. His Dark Materials, Philip Pullman (1995-2000)
41. The House on Mango Street, Sandra Cisneros (1984)
42. LaBrava, Elmore Leonard (1983)
43. Borrowed Time, Paul Monette (1988)
44. Praying for Sheetrock, Melissa Fay Greene (1991)
45. Eva Luna, Isabel Allende (1988)
46. Sandman, Neil Gaiman (1988-1996)
47. World's Fair, E.L. Doctorow (1985)
48. The Poisonwood Bible, Barbara Kingsolver (1998)
49. Clockers, Richard Price (1992)
50. The Corrections, Jonathan Franzen (2001)
51. The Journalist and the Murderer, Janet Malcom (1990)
52. Waiting to Exhale, Terry McMillan (1992)
53. The Amazing Adventures of Kavalier & Clay, Michael Chabon (2000)
54. Jimmy Corrigan, Chris Ware (2000)
55. The Glass Castle, Jeannette Walls (2006)
56. The Night Manager, John le Carré (1993)
57. The Bonfire of the Vanities, Tom Wolfe (1987)
58. Drop City, TC Boyle (2003)
59. Krik? Krak! Edwidge Danticat (1995)
60. Nickel & Dimed, Barbara Ehrenreich (2001)
61. Money, Martin Amis (1985)
62. Last Train To Memphis, Peter Guralnick (1994)
63. Pastoralia, George Saunders (2000)
64. Underworld, Don DeLillo (1997)
65. The Giver, Lois Lowry (1993)
66. A Supposedly Fun Thing I’ll Never Do Again, David Foster Wallace (1997)
67. The Kite Runner, Khaled Hosseini (2003)
68. Fun Home, Alison Bechdel (2006)
69. Secret History, Donna Tartt (1992)
70. Cloud Atlas, David Mitchell (2004)
71. The Spirit Catches You and You Fall Down, Ann Fadiman (1997)
72. The Curious Incident of the Dog in the Night-Time, Mark Haddon (2003)
73. A Prayer for Owen Meany, John Irving (1989)
74. Friday Night Lights, H.G. Bissinger (1990)
75. Cathedral, Raymond Carver (1983)
76. A Sight for Sore Eyes, Ruth Rendell (1998)
77. The Remains of the Day, Kazuo Ishiguro (1989)
78. Eat, Pray, Love, Elizabeth Gilbert (2006)
79. The Tipping Point, Malcolm Gladwell (2000)
80. Bright Lights, Big City, Jay McInerney (1984)
81. Backlash, Susan Faludi (1991)
82. Atonement, Ian McEwan (2002)
83. The Stone Diaries, Carol Shields (1994)
84. Holes, Louis Sachar (1998)
85. Gilead, Marilynne Robinson (2004)
86. And the Band Played On, Randy Shilts (1987)
87. The Ruins, Scott Smith (2006)
88. High Fidelity, Nick Hornby (1995)
89. Close Range, Annie Proulx (1999)
90. Comfort Me With Apples, Ruth Reichl (2001)
91. Random Family, Adrian Nicole LeBlanc (2003)
92. Presumed Innocent, Scott Turow (1987)
93. A Thousand Acres, Jane Smiley (1991)
94. Fast Food Nation, Eric Schlosser (2001)
95. Kaaterskill Falls, Allegra Goodman (1998)
96. The Da Vinci Code, Dan Brown (2003)
97. Jesus’ Son, Denis Johnson (1992)
98. The Predators' Ball, Connie Bruck (1988)
99. Practical Magic, Alice Hoffman (1995)
100. America (the Book), Jon Stewart/Daily Show (2004)
Those I own are in blue, those I've read are in red
Thursday, July 17, 2008
Monday, July 14, 2008
Early Review: Testimony by Anita Shreve
TESTIMONY
Anita Shreve
October 21, 2008
Little, Brown, and Company
Hachette Book Group
ISBN: 0-316-05986-2
320 pages
Anita Shreve never plays it safe with her books and her latest, Testimony, is no exception.
Avery Academy is a small private school in Vermont. Everyone who attends has been carefully screened and selected to attend. From the rich young freshmen to the athletic seniors tapped for college play; no one attends Avery Academy by chance.
But for Avery Academy, all is not as it seems from outside its gates. Parties, which include alcohol and drugs, still occur and kids still get in trouble. This sets the scene for a horrible sex scandal from which no one will come out unscathed, not the students, not the parents, not the headmaster of the school; and not even the citizens of the town of Avery who don’t even usually pay too much attention to what goes on behind the hallowed gates up on the hill just out of town. Parents find that even though they pay for the best education for their children, send them to the best schools available, they still can’t protect them. Adults find that passionate desires can have far-reaching effects that can change lives forever.
Told from multiple points of view (I counted 20) in less talented hands the narration could get confusing. But with Shreve, it did not. Perhaps that was because with over a dozen of these narrators we only hear from them once or twice.
However the story essentially belongs to three people: Mike, the headmaster of the school who we get to know the best, and Silas and Noelle, the two star-crossed lovers; Silas the basketball star, the local boy made good, son of average farmers from the town of Avery and Noelle, the talented musician destined for Julliard. As the story of the events of that one evening of sex and alcohol unfolds it is becomes clear that Silas stands to lose it all. But what sets in place such behavior uncharacteristic of the normally mild-mannered youth is at the crux of the rest of the story.
A graphic beginning describes the events of that tragic evening; and this is so graphic that it could tend to turn off some readers, readers who may be unfamiliar with Shreve’s work. But those who have come to know and trust Shreve as an author will be compelled to keep reading and be certainly glad they did as the events unfold, a bit at a time, through the voices of not only Mike, Silas, and Noelle, but parents, classmates, and the other students involved in the scandal. We also hear from a reporter who eventually wins the Pulitzer for his reporting of the events.
However as the story develops, readers see that the scandal is only the tip of the iceberg for a greater tragedy that will even more deeply affect those involved.
This is Shreve at her best. She tells a compelling story so eloquently that is one of those deemed “unputdownable” -- be sure to start this one early in the day so you will have plenty of time to finish as once you begin it, you will not be able to stop turning the pages.
Anita Shreve
October 21, 2008
Little, Brown, and Company
Hachette Book Group
ISBN: 0-316-05986-2
320 pages
Anita Shreve never plays it safe with her books and her latest, Testimony, is no exception.
Avery Academy is a small private school in Vermont. Everyone who attends has been carefully screened and selected to attend. From the rich young freshmen to the athletic seniors tapped for college play; no one attends Avery Academy by chance.
But for Avery Academy, all is not as it seems from outside its gates. Parties, which include alcohol and drugs, still occur and kids still get in trouble. This sets the scene for a horrible sex scandal from which no one will come out unscathed, not the students, not the parents, not the headmaster of the school; and not even the citizens of the town of Avery who don’t even usually pay too much attention to what goes on behind the hallowed gates up on the hill just out of town. Parents find that even though they pay for the best education for their children, send them to the best schools available, they still can’t protect them. Adults find that passionate desires can have far-reaching effects that can change lives forever.
Told from multiple points of view (I counted 20) in less talented hands the narration could get confusing. But with Shreve, it did not. Perhaps that was because with over a dozen of these narrators we only hear from them once or twice.
However the story essentially belongs to three people: Mike, the headmaster of the school who we get to know the best, and Silas and Noelle, the two star-crossed lovers; Silas the basketball star, the local boy made good, son of average farmers from the town of Avery and Noelle, the talented musician destined for Julliard. As the story of the events of that one evening of sex and alcohol unfolds it is becomes clear that Silas stands to lose it all. But what sets in place such behavior uncharacteristic of the normally mild-mannered youth is at the crux of the rest of the story.
A graphic beginning describes the events of that tragic evening; and this is so graphic that it could tend to turn off some readers, readers who may be unfamiliar with Shreve’s work. But those who have come to know and trust Shreve as an author will be compelled to keep reading and be certainly glad they did as the events unfold, a bit at a time, through the voices of not only Mike, Silas, and Noelle, but parents, classmates, and the other students involved in the scandal. We also hear from a reporter who eventually wins the Pulitzer for his reporting of the events.
However as the story develops, readers see that the scandal is only the tip of the iceberg for a greater tragedy that will even more deeply affect those involved.
This is Shreve at her best. She tells a compelling story so eloquently that is one of those deemed “unputdownable” -- be sure to start this one early in the day so you will have plenty of time to finish as once you begin it, you will not be able to stop turning the pages.
Early Review: True Colors by Kristin Hannah
I was privileged to get an early copy of True Colors by Kristin Hannah for review. It doesn't come out until early 2009, but to pique your interest:
TRUE COLORS
By Kristin Hannah
St. Martin’s Press
2009
There are several things readers have come to expect when they read a Kristin Hannah book—that they’ll get an amazing, compelling, emotional story, that they can’t put down once they’ve started. While TRUE COLORS is no exception, there is a degree of depth to this novel that sets it apart from anything the author has written in the past. A degree of depth that won’t simply satisfy her legions of current fans, but I dare say should bring her to the attention of many more.
Spanning nearly 30 years in the lives of the Grey sisters of Water’s Edge, a waterfront ranch on the shores of Washington state’s picturesque Hood Canal, first meet the sisters in 1979 just after the death of their beloved mother. It’s obvious from the beginning that her loss is going to leave an enormous hole in their hearts and have long-lasting effects in the lives of these young girls. But even worse, their grieving father Henry buries his soul when he buries his wife, coping with life by drowning his sorrows in a bottle of hard liquor.
The book quickly fast forwards 13 years where we find oldest sister Winona just beginning her law practice in the nearby town of Oyster Shores, Aurora a young wife and mother of twins, while the youngest the beautiful but fragile Vivi Ann is an expert barrel racer on the western rodeo circuit, living at home, helping her father on the failing ranch that has been in their family for generations. Vivi Ann soon comes up with a plan to save the ranch and resurrects it into a thriving horse arena for lessons and competitions.
Meanwhile Winona, who has been fighting a weight problem all her life, may, at long last, have romance come her way when her childhood crush, veterinarian Luke Connelly returns to town. She is excited that this time their relationship may become more than just friendship—until he is captivated by the beautiful ViviAnn. Although Vivi Ann doesn’t totally return his feelings, they eventually become engaged. Winona has a difficult time hiding her jealousy. All of this causes a rift between the sisters that won’t soon be mended, especially when the new ranch hand and quintessential “bad boy” Dallas Raintree excites Vivi Ann much more than Luke ever can. This sets in place a tragedy that changes the complexion of the sisters’ relationship forever.
This also sets in place events that propel this novel from one of Kristin Hannah’s hallmark “domestic dramas” into one that is part legal drama, a coming of age story of a teenage boy, a story of redemption and forgiveness, and of loyalty and unfailing belief in someone when it really counts.
Kristin Hannah excels in knowing how to pull at the reader’s heartstrings, to touch their emotional sweet spot, and with TRUE COLORS she pulls at those heartstrings and doesn’t let go. TRUE COLORS is Kristin Hannah at her very best – maybe even better than her very best. As usual readers need to keep the hankies handy for the read that is absolutely unputdownable and totally satisfying. As impossible as it seems, Kristin Hannah just gets better and better with each read; I can’t wait to see what she comes up with next.
TRUE COLORS
By Kristin Hannah
St. Martin’s Press
2009
There are several things readers have come to expect when they read a Kristin Hannah book—that they’ll get an amazing, compelling, emotional story, that they can’t put down once they’ve started. While TRUE COLORS is no exception, there is a degree of depth to this novel that sets it apart from anything the author has written in the past. A degree of depth that won’t simply satisfy her legions of current fans, but I dare say should bring her to the attention of many more.
Spanning nearly 30 years in the lives of the Grey sisters of Water’s Edge, a waterfront ranch on the shores of Washington state’s picturesque Hood Canal, first meet the sisters in 1979 just after the death of their beloved mother. It’s obvious from the beginning that her loss is going to leave an enormous hole in their hearts and have long-lasting effects in the lives of these young girls. But even worse, their grieving father Henry buries his soul when he buries his wife, coping with life by drowning his sorrows in a bottle of hard liquor.
The book quickly fast forwards 13 years where we find oldest sister Winona just beginning her law practice in the nearby town of Oyster Shores, Aurora a young wife and mother of twins, while the youngest the beautiful but fragile Vivi Ann is an expert barrel racer on the western rodeo circuit, living at home, helping her father on the failing ranch that has been in their family for generations. Vivi Ann soon comes up with a plan to save the ranch and resurrects it into a thriving horse arena for lessons and competitions.
Meanwhile Winona, who has been fighting a weight problem all her life, may, at long last, have romance come her way when her childhood crush, veterinarian Luke Connelly returns to town. She is excited that this time their relationship may become more than just friendship—until he is captivated by the beautiful ViviAnn. Although Vivi Ann doesn’t totally return his feelings, they eventually become engaged. Winona has a difficult time hiding her jealousy. All of this causes a rift between the sisters that won’t soon be mended, especially when the new ranch hand and quintessential “bad boy” Dallas Raintree excites Vivi Ann much more than Luke ever can. This sets in place a tragedy that changes the complexion of the sisters’ relationship forever.
This also sets in place events that propel this novel from one of Kristin Hannah’s hallmark “domestic dramas” into one that is part legal drama, a coming of age story of a teenage boy, a story of redemption and forgiveness, and of loyalty and unfailing belief in someone when it really counts.
Kristin Hannah excels in knowing how to pull at the reader’s heartstrings, to touch their emotional sweet spot, and with TRUE COLORS she pulls at those heartstrings and doesn’t let go. TRUE COLORS is Kristin Hannah at her very best – maybe even better than her very best. As usual readers need to keep the hankies handy for the read that is absolutely unputdownable and totally satisfying. As impossible as it seems, Kristin Hannah just gets better and better with each read; I can’t wait to see what she comes up with next.
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